A book on the problems of ethics from the perspective of language and meaning.

The discrepancy between English if's and the horseshoe is far from being negligible. That is not a reason for distrusting the horseshoe, which is useful so long as it is taken to mean just what it is defined to mean; and it is not a reason for distrusting our English if's, which in spite of their ambiguities are indispensable to our daily discourse. But it is a reason for distrusting the current logical pedagogy that leads students to take the two (...) as being intertranslatable. So if symbolic logic is to help us in our English arguments (and that should surely be one of its functions) it needs to be supplemented: it needs to be provided with additional symbols (presumably with the introduction of one or more primitive concepts) that will preserve the meaning of our various if's with greater accuracy. In the present paper I shall point in the direction of such a logic. I cannot undertake to develop it in a complete postulational form; but I can at least call attention to certain English locutions by which the required postulates should be guided. And I can venture to state some of the postulates using appropriate symbols. (shrink)

Spanish translation, introductory study and notes on Charles Leslie Stevenson’s “Persuasive Definitions”. Published in Stevenson, Charles L. “Definiciones persuasivas”. Quaderns de Filosofia, vol. VIII, n. 1 (2021), pp. 105–125. -/- [Introductory study published in Oya, Alberto. “Presentación. Las definiciones persuasivas según Charles L. Stevenson”. Quaderns de Filosofia, vol. VIII, n. 1 (2021), pp. 101–104].

Charles L. Stevenson; V—Reflections on John Dewey's Ethics, Proceedings of the Aristotelian Society, Volume 62, Issue 1, 1 June 1962, Pages 77–98, https://doi.o.

"These sixteen essays by Arnold Isenberg "bring wide-ranging connoiseurship, intricate analysis, and epigrammatic literacy to bear on a number of glib and fuzzy oppositions between form and content, description and interpretation, perception and meaning, technique and substance, and belief and expression, articulating provocative strategies for illuminating the canon of the arts and the organ of criticism.... Any thoughtful lover of the arts could read this book with profit and inspiration."—_Choice_.